TOM KRUMPAK

 

 

 

 

 

EDUCATION

 

 

1973

B.F.A., San Francisco Art Institute

1983

M.F.A., California State University, Long Beach

 

 

 

 

 

ONE-PERSON EXHIBITIONS

   

2018

Peripheral thought, house photo word movie paint, singular color, Lora Schlesinger Gallery, Santa Monica, Ca.

2015          

Bamboo tall, blue sky, a painted abstract picture, inside wooden room. , Lora Schlesinger Gallery, Santa Monica, Ca.

 

Built & Placed, SMC Emeritus Gallery, Santa Monica, Ca.

2012

Japan/Modern, Post Gallery, Los Angeles, Ca.

2005

Three Decades, Cafe Divine, San Francisco, CA.

2002

Time in Place, Hunter Gallery, St. George’s School, Newport, R.I.

 

Abstract Interpretations of Place, Yates Gallery, Siena College, Loudonville, N.Y.

 

Location 1, Fishwick Gallery, Plymouth University, Exeter College of Art & Design, Exeter, England   

1992

New Paintings, Olga Dollar Gallery, San Francisco, Ca.

1990

Paintings, Orange County Center for Contemporary Art, Santa Ana, Ca.

1989

Paintings and Drawings from the Eighties, Helen Lindhurst Gallery, University of Southern California, Los Angeles

1986

In Progress:  Gallery as Studio, Rancho Santiago College, Santa Ana, Ca.

 

 Paintings, James Crumley Gallery, Mira Costa College, Oceanside, Ca.

1985

Paintings and Drawings, Corvallis Art Center, Corvallis, Ore.

1984

Paintings and Drawings, Biola University, La Mirada, Ca.

1978

Painted Prints, La Jolla Federal Savings and Loan, Bonita, Ca.

1977

Photographs from Film, Metro-Goldwyn-Mayer Studios, Culver City, Ca.

1976

New Paintings, Metro-Goldwyn-Mayer Studios, Culver City, Ca.

 

 

 

GROUP EXHIBITIONS

   

2016

(Un) conditional Color, The Curator Gallery, New York, NY

  SF Art Institute alumni exhibition

2014 -2015  Concentrate, San Francisco Art Institute, San Francisco, CA

 

Bright, Color in three dimension, Arts Brookfield, traveling Sculpture exhibition throughout     

 

Downtown LA building sites, Los Angeles, Ca.

2011

The Reach of Resonance Exhibition, Candela Films,Origami Vinyl, Los Angeles, Ca.

2010

Collaborations, Pierre Picot, Jancar, gallery, Los Angeles, Ca.

2009

Faculty Exhibition, Idyllwild Arts, Parks exhibition center, Idyllwild, Ca. 

2008

Art from Los Angeles, curated by Another Year in L.A, Sacramento, Ca.

2007

A Few of Our Favorite Things, Part Two, Santa Ana College Main Gallery, Santa Ana, Ca 

 

Haus, at the Brewery Project, Los Angeles, Ca.           

2006

Immodesty, Another Year in LA., Los Angeles, Ca.

 

Gift Shop, Another Year In L.A., Los Angeles, Ca.

 

A Few of Our Favorite Things, Part One, Santa Ana College, Santora Building, Santa Ana, Ca.

2005

Long Beach 2005 Faculty Biennial, California State University, Long Beach

2004

Red Pen, Santa Ana College, Santa Ana, Ca.

 

Opening Exhibition, Jung Dong Art Hall, Los Angeles, Ca.

 

Long Beach 2004 Faculty Exhibition, California State University, Long Beach

2002

Structure & Situation:  drawings and paintings relating to architecture and site, College of Environmental Design, California Polytechnic University, Pomona.

 

Folonis AIA & Associates, Santa Monica, Ca.

 

Department of Design Gallery, California State University, Long Beach

 

Long Beach 2002 Faculty Biennial, University Art Museum, California State University, Long Beach

 

Works on Paper, Forget It Jake, Los Angeles, Ca.

2001

Abstract Works on Paper, The Balcony Gallery of Merkin Concert Hall, New York City

 

Different Strokes, a painters’ group exhibition, Fine Arts Gallery, Orange Coast College, Costa Mesa, Ca.

 

 Summer Six Faculty Exhibition, old and new, Schick Art Gallery, Skidmore College, Saratoga Springs, N.Y.

 

Pulp Friction, Santa Ana College, Santa Ana, Ca.

 

To Be Continued, Cerritos College, Norwalk, Ca.

2000

In the Abstract, El Camino College, Torrance, Ca.

 

Long Beach 2000 Faculty Biennial, University Art Museum, California State University, Long Beach

1999

Abstractions, Rio Hondo College, Los Angeles County

 

Summer Six Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, N.Y.

1998

Summer Six Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, N.Y.

 

Facultad de Bellas Artes, Sala de Exposiciones, El Greco S/N 28040, Madrid, Spain

 

Universidad de Madrid, Madrid, Spain

 

Long Beach ‘98 Faculty Biennial, University Art Museum, California State University, Long Beach

1997

Arte actual en Los Angeles, Sala de Exposiciones de la Excma. Dipupación

 

Provinciale Antiguo Convento de las Carmelitas Cuenca.

1996

The Hatchery, Factory Place #55, Los Angeles, Ca.

 

Blue Fireworks and Yellow Color, California State University, Long Beach.

 

Long Beach ‘96 Faculty Biennial, University Art Museum, California State University, Long Beach.

1995

Restless Voices:  Abstraction from Los Angeles, Schick Art Gallery, Skidmore College, Saratoga Springs, N.Y.

 

30 Artists:  Special Exhibition, Andrew Shire Gallery, Los Angeles, Ca.

 

Verde Que Te Verde:  A Joint Exhibition of Artists from Spain and the United States, California State University, Long Beach.

1994

Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College, Santa Ana, Ca.

 

Camouflage, See the Swans, Hear the Train, U.K./L.A. 1994 Festival.

 

                                  California State Polytechnic University, Pomona

 

                                  University of Southern California, Los Angeles

 

                                  California State University, Long Beach

1993

Obra Original, Galeria Varron, Salamonca, Spain

1992

L.A. Abstracts, Works on Paper from California, Spacex Gallery, Exeter, Great Britain

 

Brilliant Color, Andrew Shire Gallery, Los Angeles, Ca.

 

2 Pintores De California, Galeria Varron, Salamanca, Spain.

 

Works on Paper by CSULB Artist/Professors, University of Madrid, Bellas Artes, Madrid, Spain

1992

Works on Paper, California State University, Long Beach.

 

One Square Foot, Gensler & Associates, Architects, Santa Monica, Ca.

 

Works on Canvas and Paper by CSULB Artist/Professors, Rockwell International World Corporation  Headquarters, Seal Beach, Ca.

1991

Seductive Geometry, Olga Dollar Gallery, San Francisco, Ca.

 

Imagery Relationships, Miriam Perlman Gallery, Chicago, Ill.

1990

Three Abstract Painters from California, Duson Gallery, Seoul, Korea

 

Color Abstractions, System M Gallery, Long Beach, Ca.

 

Evocative Objects, University Art Gallery, California State University at Hayward

1989

Experience Reordered:  L.A. Abstractions, Allport Gallery, San Francisco, Ca.

 

Gallery Collection, Allport Gallery, San Francisco, Ca.

 

Big and Bold, Los Angeles County Art Museum, Sales and Rental Gallery, Los Angeles, Ca.

 

Landscape Visions, California State University, Office of the Chancellor

 

Four Painters, Printworks Gallery, Long Beach, Ca.

 

12 Inches and Under, Small Images, Golden West College, Huntington Beach, Ca.

 

RR Rising Stars, Francine Ellman Gallery, Los Angeles, CA.The Third Annual Sweet Arts Ball, Invitational Auction and Exhibition, Hippodrome Gallery, Long Beach, Ca.

 

Catch a Rising Artist, Second Annual Invitational Auction and Exhibition, Los Angeles Arts Council, Los Angeles, Ca.

1988

Personal Expressions, Allport-Caldwell Gallery, San Francisco, Ca.

 

Three plus Two, Held Corporation Headquarters, Los Angeles, Ca.

 

Focus:  Long Beach, Figuration and Beyond, Centennial Visual Exhibition, Long Beach, Ca.

1987

Long Beach, ‘87, California State University, Long Beach

 

Synthesis, Los Angeles County Art Museum, Sales & Rental Gallery, Los Angeles, Ca.

 

Abstract Baby Boomers, L.A. L.A. Artspace, Los Angeles, Ca.

 

Survey, San Francisco Art Institute, San Francisco, Ca.

 

Valentine, San Francisco Gift Center, San Francisco, Ca.

1986

de Heras/Krumpak, California State University, Long Beach

1985

Colors/Marks/Patterns, Pennsylvania State University, University Park

 

Three Artists, Chabot College, Hayward, California

 

Experimental Prints of Southern California, Occidental College, Los Angeles, Ca.

1984

Exhibition Series for Outstanding Emerging Artists,Galveston Arts Center, Galveston, Texas.

1983

Thirtieth Annual:  Painting, Richmond Art Center, Richmond, Ca.

 

September Competition, Alexandria Museum, Alexandria, La. (Wellan Memorial Award received)

 

All California Biennial, Riverside Art Center and Museum, Riverside, Ca.

1982

Long Beach Artists, Long Beach Museum of Art, Long Beach, Ca.

 

Twenty-Eighth Annual Exhibition, San Diego Art Institute, San Diego, Ca.

 

Prints, California State University, Long Beach

1979

Body/Geo/Soul, Security Pacific Bank Plaza, Los Angeles, Ca.

 

Approaches to Xerography, Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, Ca.

 

Copy Graphics, San Jose Institute of Contemporary Art, San Jose, Ca.

 

Color Xerox Show, Huggins/Holms, Los Angeles, Ca.

1978

Experimental Color Xerox Show, San Diego Academy of the Arts, San Diego, Ca.

 

Brand Eight Print Show, Brand Library, Glendale, Ca.

1977

Fine Arts Exhibition of Color Xerox–Part II, Xerox Reproduction Center, San Francisco, Ca.

 

Southern California Print and Drawing Exhibition, Santa Monica College, Santa Monica, Ca.

1976

Masks, Goodman Artworks Gallery, San Francisco, Ca.

1975

Large Oils, School for Scandal Gallery, San Francisco, Ca.

 

 

 

REVIEWS

   
2016 Continued and Recommended, Tom Krumpak at Lora Schlesinger Gallery, Artscene, Vol. 35, No. 4, January 2016, pg. 24
   

 

LECTURES

 

 

 

Contemporary & Historical American & European Painting

2017 A Guided tour of NYC artist’s studios, museums, experimental music venues, CSULB

2015

Exhibition walkthrough and contemporary writers salon, Built & Placed, SMC Emeritus Gallery, SM, Ca.

2014

A Guided tour of NYC artists studios, museums, experimental music venues, CSULB.

2014

On-Site, A four day guided tour of artist’s studios, galleries and museums, in SF.

 

On-Site, A Guided 4 day Tour of NYC artists studios, Pasadena Art League.

2011-2012  

Six lecture Series-, 1.  Paris- Past and Present, 2. Fauvist Color, Cubist Structure, and  

 

Avant-Garde Cinema, 3. NYC. 1920-1965, 4. Post WWII, Abstract Expressionism and its             

 

Connection to, Jazz, 5. Contemporary Narrative Painting, NYC, 6. Revealing and Navigating,              

 

Place NYC/LA, San Marino Art League

2012

Off the Radar, new painting, photography, film and sculpture in Los Angeles and NYC,

 

Huntington Museum and Botanical Gardens, San Marino, Ca.                                      

 

A Guided tour of Artist’s studios and Culver City/ Venice Beach galleries, San Marino Art League                                                                            

2010

Painterly, A Panel Discussion, University Art Museum, CSULB

 

Interview with Tom Krumpak, Real Talk, Real Truth, Kbeach, Radio

2009

In The Time of the Story: New Origins of Abstraction- Place, Structure and the Influence of        

 

Architecture, Idyllwild, Ca.

2007

Sophisticated Misfit, the movie: on screen commentary, General release

2006

Brooklyn, New York Project:  In the Time of the Story, California State University, Northridge.

2005

Abstract Painting (panel discussion), Another Year in L.A. Gallery, Los Angeles, Ca.

 

New Paintings from Los Angeles, Concentration and Cross-Discipline Practice:  The Spence School, New York City.

 

Brooklyn, New York Project:  In the Time of the Story:  New Origins of Abstraction—Place, Structure, and

 

The Influence of Architecture, California State University, Long Beach

2002-2005

New York Onsite, a four-day guided tour of galleries, museums, foundations, and cafes in New York City.

2002

Cool, Calm, and Loco:  Los Angeles Art in the 21st Century, Bowdoin College, Brunswick, Me.

 

Onstreetunderbridgeincafe ARTSEEN NewYork 2002, Bowdoin College, Brunswick, Me.

 

Cool, Calm, and Loco:  Los Angeles Art in the 21st Century, St. George’s School, Newport, R.I.

 

Contemporary Art:  East Coast-West Coast, Standish Library, Siena College, Loudonville, N.Y.

 

Cool, Calm, and Loco:  Los Angeles Art in the 21st Century, Plymouth University, Exeter College of Art &

 

Design, Exeter, England.

2001

Cool, Calm, and Loco:  Los Angeles Art in the 21st Century,” Skidmore College, Saratoga Springs, N.Y.

 

Cool, Calm, and Loco:  Los Angeles Art in the 21st Century,” College of Environmental Design, California Polytechnic University, Pomona.

 

Onstreetunderbridgeincafe ARTSEEN NewYork 2001, California State University, Northridge.

 

Onstreetunderbridgeincafe ARTSEEN NewYork 2001, California Polytechnic University, Pomona.

 

New York, Onsite, a four-day guided tour of galleries, museums, foundations, and cafes in New York City.

2000

Cool, Calm, and Loco: New Los Angeles Art, University of New York, Plattsburgh.

 

Onstreetunderbridgeincafe ARTSEEN  NewYork, First Independent Gallery, Santa Monica, Ca.

 

Co-Curation (Tom Krumpak, Gene Moy), Chinatown: Drawings Inside and at the Edge of the Los Angeles Historic
District,Chinese Historical Society of Southern California, Los Angeles.

1999

Los Angeles, All of It—Artists and the ‘Hood’:  Abstraction and the Erotic, Bowdoin College, Brunswick, Me.

 

Abstractions Exhibition/Panel Discussion, Rio Hondo College, Los Angeles County.

 

Los Angeles, All of It—Artists and the ‘Hood’:  Abstraction and the Erotic, University of Southern California, Los Angeles

1998

Los Angeles, All of It:  Artists and the ‘Hood’:  Abstraction and the Erotic, Skidmore College, Saratoga

 

Springs, N.Y.

 

Contemporary Abstract Painting in Los Angeles: organizer, moderator of panel discussion,
California State University, Long Beach.

1997

Out of Our Minds, Into the Street, Skidmore College, Saratoga Springs, N.Y.

1995

A Curator’s Viewpoint, Restless Voices Exhibition and Contemporary Southern California Abstract Painting,               
Skidmore College, Saratoga Springs, N.Y.

1994

A Curator’s Viewpoint, The Camouflage Exhibition, University of Southern California, Los Angeles, Ca.

 

Very Visual Dialogue, Two Artists’ Point of View, Rancho Santiago College, Santa Ana, Ca.

 

Structure and Content, Jan Simonovic and Tom Krumpak, Curator’s Selection, Michael W. Folonis, A.I.A. & Associates.

 

Curator’s Tour of Two Exhibitions, California State University, Long Beach; Rancho Santiago College,
Santa Ana, Ca.; San Marino Art League, San Marino, Ca.

1992

The New Image:  American Figurative Painting in the 1980s, Polytechnic Southwest College of Art
and Design, Plymouth University, Great Britain.

 

L.A. Abstracts and New American West Coast Painting:  A Curator’s Viewpoint, Spacex Gallery, Exeter, Great Britain.

1991

Process, College of Environmental Design, California Polytechnic University, Pomona, Ca.

 

The Training of the Emerging Artist in the University, The Korean Arts Foundation, Los Angeles, Ca.

 

Seductive Geometry, a Curator’s Viewpoint, Olga Dollar Gallery, San Francisco, Ca.

 

Representation to Abstraction, Art Center College of Design, Pasadena, Ca.

 

North and South Poles of Paris and Contemporary Visions of Paradise, Westside Women Artists, Burbank, CA

1990

Contemporary American Painting and Drawing (two lectures and a guided studio tour),
Art Center College of Design, Pasadena, Ca.

1989

Matisse and Contemporary Visions of Paradise, Long Beach Art Association, Long Beach, Ca.

 

Passion and Paint, in conjunction with Focus on the Image exhibition, University Art Museum,
California State University, Long Beach.

 

Representation to Abstraction, University of California, Irvine.

 

Experience Reordered, a Curator’s Viewpoint, Allport Gallery, San Francisco, Ca.

 

Moving from Realism to Abstraction, 3 Days of intensive painting and drawing, Studio Workshop,
 Long Beach Art Association, Long Beach, Ca.

 

Artist as Fine Arts Educator, panel discussion moderator, University Art Museum,
California State University, Long Beach.

1988

Eclectic American Painting, 1980-88, Long Beach Art Association, Long Beach, Ca.

1987

Art Movements in the Early 20th Century, Art Center College of Design, Pasadena, Ca.

 

American Painting in the 1980s, Art Department, Bowdoin College, Brunswick, Me.

 

North and South Poles of Paris, Fauvism and Cubism, Docent Council, Santa Barbara Museum of Art, Santa Barbara, Ca.

1986

Matisse and Contemporary Visions of Paradise, Docent Council, Santa Barbara Museum of Art, Santa

 

Barbara, Ca.

 

The Good, the Bad, and the Precious, Fine Arts Department, Rancho Santiago College, Santa Ana, Ca.

 

Fauvism, the Transformation of Art:  Europe, 1900-1925, Santa Barbara Museum of Art, Santa Barbara, Ca.

 

Antecedents and the Contemporary: Art 1853-1985, Art Center College of Design,  

1985

International New Image Painting, Art Center College of Design, Pasadena, Ca.

 

International New Image Painting, San Francisco Art Institute, San Francisco, Ca.

 

Low Street to High Art, Folklore Department, University of California, Los Angeles

1984

 International New Image Painting, Fine Arts Department, University of Southern California, Los Angeles; and
 Fine Arts Department, Claremont Graduate School, Claremont, Ca.

 

Paint, Passion, and the New Image, Fine Arts Department, San Diego State University, San Diego, Ca.;
the Docent Council, Santa Barbara Museum of Art, Santa Barbara, Ca.; and the Fine Arts Department,
University of California, Santa Barbara.

1984

Low Street to High Art, Folklore Department, University of California, Los Angeles.

1983

Paint, Passion, and the New Image, Whitney Museum of American Art, New York, N.Y.

 

 

Autobiographical:

2016

Exhibition walkthrough, “Bamboo Tall", Lora Schlesinger Gallery, Santa Monica, Ca.

  Exhibition walkthrough, (Un)conditional Color, The Curator Gallery, New York, NY.

2015

Exhibition walkthrough and contemporary writers salon, Built & Placed, SMC Emeritus   Gallery, Santa Monica Ca.

2007

Retrospective of Paintings and Drawings, emphasis on Japan /Modern, Santa Ana College Santa Ana, Ca.

2004

A Mini Retrospective of Paintings and Inspiration, Skidmore College, Saratoga Springs, N.Y.

2003

Informal artist’s talk, Design Department Gallery, California State University, Long Beach.

2002

30-Year Retrospective of Paintings and Drawings, Bowdoin College, Brunswick, Me.

 

30-Year Retrospective of Paintings and Drawings, Standish Library, Siena College, Loudonville, N.Y.

 

Location 1, gallery talk, Plymouth University, Exeter College of Art & Design, Exeter, England.

 

Informal artist’s talk, University Art Museum, California State University, Long Beach.

2001

A Mini Retrospective of Paintings and Inspirations, Orange Coast College, Costa Mesa, Ca.

 

30-Year Retrospective of Paintings and Drawings, Skidmore College, Saratoga Springs, N.Y.

2000

A 25-Year Retrospective of Paintings & Drawings, El Camino College, Torrance, Ca.

 

A 25-Year Retrospective of Paintings & Drawings, State University of New York, Plattsburgh.

1996

1st Annual Art Walk:  guided studio tour, Los Angeles County Museum of Art, Los Angeles.

1994

Devon/L.A. Abstractions, California State Polytechnic University, Pomona.

 

Los Angeles, New Abstractions, Rancho Santiago College, Santa Ana, Ca.

1993

New Paintings from the English Countryside, San Marino Art League, Pasadena, Ca.

1992

Polytechnic Southwest College, Plymouth University, Exeter, Great Britain.

 

Andrew Shire Gallery, Los Angeles, Ca

 

Catalina Art Association, Avalon, Ca.

1991

Los Angeles Art Association, Los Angeles, Ca.

1990

Orange County Center for Contemporary Art, Santa Ana, Ca.

 

Studio Tour and Lecture, University of California, Los Angeles Extension School.

1989

University of California, Irvine

1988

Venice Artwalk, Venice, Ca.

1987

A 15-Year Retrospective of Paintings and Drawings, Bowdoin College, Brunswick, Me.

1986

University of California, Los Angeles

 

Professionalism in the Arts, University of California, Santa Barbara

1985

Corvallis Art Center, Corvallis, Ore.

1984

Minneapolis College of Art and Design, Minneapolis, Minn.

 

Biola University, La Mirada, Ca.

 

California State University, Long Beach

1979

Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, Ca.

 

Southwestern College, Bonita, Ca.

 

San Diego Library System, San Diego, Ca.

1978

Los Angeles County Library System, Los Angeles, Ca.

1977

Los Angeles Chinese Historical Society, Los Angeles, Ca.

 

Santa Monica College, Santa Monica, Ca.

1975

San Francisco Art Institute, San Francisco, Ca.

 

 

 

 

 

EXHIBITION REVIEWS, ARTICLES, CATALOGS, & ESSAYS BY THE ARTIST

 
 

Continued and Recommended, Tom Krumpak at Lora Schlesinger Gallery, Art scene, Vol. 35,  No.4, January 2016, pg.24.

 

Cover, Schedule of classes SM emeritus college, winter, 2016.

 

Vista, Sandra, onehundredpercentrag. Blogspot. 2016.

 

Schlesinger, Lora, exhibition catalogue, Bamboo tall, a painted abstract picture, inside a wooden room.

 

Curator gallery, Wethli, Mark exhibition catalogue (Un)conditional color, 2016.

  Two coats of Paint, Chelsea picks, March, 2016

 

Interactive Art-Verso, The Huntington Blog, San Marino, Ca. 2012.

 

 K Beach radio, CSULB, Long Beach, Ca. 2011

 

Summer Session Course Catalogue, Contemporary Practices in Painting and Drawing from Los Angeles
and New York, Idyllwild Arts 2011

 

Santa Ana College, Artists of Art Forum, (catalog), January 2007.

 

Freeman, Tommy, "Immodesty,"Artweek, November 2, 2006,

 

Frank, Peter, "A Lot Of Local Abstraction," LA Weekly, September 29, 2006, Vol. 28/no.45, p.64.

 

California State University, Long Beach, Art Department.  “Faculty Profiles.”  2004 Catalog.

 

Gottlieb, Shirle.  “It Takes Two Years.”  Long Beach Press-Telegram, November 29, 2002, Entertainment sec., p. 35.

 

Staff.  “Exhibits.”  Times Union [Albany edition], April 7, 2002, Arts p. 12.

 

Staff.  “What’s Happening” (color reproduction).  Saratogian, April 11, 2002, pp. 6-7.

 

Chang, Young.  “Nine Styles,” Daily Pilot, Los Angeles Times Community News, April 6, 2001, p. 2.

 

Orange Coast College, Ireni Vallera-Rickerson, Different Strokes (catalog), 2001.

 

Padilla, Adriana.  “Different Strokes for Different Folks,” Coast Report [student newspaper], 53, no. 7 (March 24, 2001), p. 5.

 

Krumpak, Tom.  “Chinatown,” Chinese Historical Society of Southern California (exhibition statement), May 21, 2000.

 

Miles, Christopher. “It’s Chinatown Jake,” Flaunt Magazine, November 2000, pp. 103-107.

 

“Arte Actual De Los Angeles,” Correo Del Arte-Madrid, no. 141, May 1998, pp. 32-33.

 

The Cuenca News, Miercoles, 7-V-1997, El Dia/9.

 

Sala De Exposiciones De La Excma.  Quenca, Spain.  Arte actual en Los Ángeles (catalog), 1997.

 

Staff, Green, How I Want You Green, Spain Foundation, 1995 Annual Report, p. 4.

 

Skidmore College, David Miller.  Restless Voices:  Abstraction from Los Angeles (catalog), 1995.

 

deHeras, John.  Verde Que Te Quiero Verde (catalog).  1995.

 

Staff.  “Special Exhibition/30 Artists,” Korea Times (Los Angeles Edition), December 22, 1995, p. B-1.

 

Jaeger, William.  “The Picture of Boredom,” Times Union (Albany Edition), March 19, 1995, p. H-2.

 

Frank, Peter.  “Art Review:  It’s Not Easy Being Verde,” Long Beach Press-Telegram, May 7, 1995.

 

Frank, Peter.  “College Art Shows Examine Worlds of Family and Faculty.”  Long Beach Press-Telegram, December 14, 1994, p. D4.

 

Soergel, Brian.  “The British Are Coming!”  Daily Bulletin, Entertainment Section, September 29, 1994, p. E4.

 

U.K./L.A. Festival. “A Celebration of British Arts,” Program of Events, 1994, p. 4.

 

Taylor-Jones, Christi.  “Unlocking the Artist Within Your Child,” L.A. Parent, July 1994, pp. 44-45, 82.

 

Rancho Santiago College, Mayde Herberg.  Very Visual Dialogue, Personal Journeys in Abstract Painting (catalog), 1994.

 

University of Plymouth, Faculty of Arts and Design, Jeremy Diggle, Camouflage (catalog), 1994.

 

Frank, Peter.  “Art Review,” Long Beach Press-Telegram, March 16, 1994, p. J6.

 

Djurklou, Alessandra.  “Expressions of Camouflage Comes to CSULB Galleries,” Long Beach Union [the student newspaper], 33(7), March 7, 1994, p. 7.

 

Curtis, Cathy.  “Dowell Work Provides Powerful Lift to So-So Show,” Los Angeles Times, Orange County Edition, March 14, 1994, p. F2.

 

Krumpak, Tom.  Letter to the Editor regarding “Very Visual Dialogue Exhibition Review,” Los Angeles Times, Orange  County Edition, April 23, 1994, p. F17.

 

Lee, Darlyn.  “Another Look at Abstract Art,” El Don [Rancho Santiago College newspaper], 7(3), February 18, 1994, p. 4.

 

Rancho Santiago College, Art Department.  “Tom Krumpak, Artist/Curator, John deHeras, Painter,” Art Forum Newsletter, Contemporary Art Issues, 13(3), 1994, pp. 5-6.

 

Spacex Gallery.  “L.A. Abstracts, Works on Paper from California,” curatorial statement for calendar and catalog poster, April-July, 1992, p. 1.

 

S.A.  “Two Painters from California Show Work in Salamonca,” La Gaceta Domingo, May 31, 1992.

 

Galeria Varron.  2 Pintores de California (catalog), 1992.

 

Olga Dollar Gallery.  “Tom Krumpak, Paintings,” Gallery Newsletter, January 1992.

 

Spacex Literature.  “After-Image, from Ferry Road to Monmouth Street,” cover image to a limited edition collection of poems, 1992.

 

“Addressing the Art Association,” The Catalina Islander, November 13, 1992, p. 1.

 

Krumpak, Thomas.  “About the Catch a Rising Artist Art Auction,” curatorial statement, May 18, 1991.

 

Goldberg, Beth.  “Seductive Geometry,” Artweek, May 16, 1991, p. 14.

 

Olga Dollar Gallery.  “Notes from the Rose Café:  Seductive Geometry . . . Eight Abstract Artists from L.A.,” curatorial statement.  April 1991.

 

Choi, Su-yung.  “3 Artists in California at Duson Gallery,” Korea News Review of the Korea Herald, December 22, 1990, p. 31.

 

California State University, Office of the Chancellor, Landscape Visions, selected faculty artists from California State  University (catalog), 1989.

 

Hippodrome Gallery, The Third Annual Sweet Arts Ball, Invitational Auction and Exhibition (catalog), 1989.

 

Allport Gallery, “As I See It,” Experience Reordered Exhibition Curatorial Statement, March 2, 1989.

 

Krumpak, Tom.  “Henri Matisse and Le Grand Interieur,” Designer’s West Magazine, March 1986.

 

Rancho Santiago College.  In Progress:  Gallery as Studio (catalog), 1986.

 

“Tom Krumpak,” Art Forum Contemporary Art Issues, January/February 1986, Vol. 5, No. 4, p. 9.

 

Rancho Santiago College.  Artists of Art Forum (catalog).

 

“Show Features Abstract Painter,” Corvallis Gazette-Times, January 4, 1985, p. 3.

 

“Emerging Young Artists,” Galveston Daily News, January 1, 1984, Sec. D, p. 1.

 

Krumpak, Tom.  “Paint, Passion, and the New Image,” Designer’s West Magazine, November 1983.

 

Brown-Hawley, Donna.  “Alexandria Museum Visual Art Center,” Alexandria Daily, September 9, 1983, Sec. C, p. 1.

 

Portner, Dinah.  “Contemporary Xerography,” Artweek, June 30, 1979, p. 15.

 

Muchnic, Suzanne.  “Xerox–a Medium Unduplicated,” Los Angeles Times, June 20, 1979, Sec. 4, p. 1.

 

Burkhart, Dorothy.  “Copy Graphics,” Artweek, April 14, 1979, p. 6.

 

Kuder, Elizabeth.  “Interview–Tom Krumpak,” Connoisseur Magazine, October 1978, p. 11.

 

 

 

TEACHING EXPERIENCE

 

 

2009

Visiting Artist/Idyllwild Arts summer program, Idyllwild, Ca., Instructor

1997-99/2001/2004

Visiting Artist/Summer Six Faculty, Skidmore College, Saratoga Springs, N.Y.

1983- present

California State University, Long Beach:  Professor.  Chairman of the Painting & Drawing program
1988-89, 1996-97, 2006-07. 2013-2014, Graduate Coordinator, Drawing & Painting MFA Program,
2000-01, 2001-02, 2014-2015 Fall 2002.Drawing & Painting Summer Session Coordinator
1985-2000.Meritorious Performance & Professional Promise Award
1986 and 1989.College of the Arts Interdisciplinary Art Initiative
Spring 2003.Chair, Graduate Studies Committee, 2005.

1995       

Visiting Artist/Professor (Summer), Three-Nation Pilot Program (Italy, England, U.S.A.), Tuscania, Italy

1992       

VV   Visiting Artist and Exchange Tutor, Plymouth University, Polytechnic Southwest College
 of   Art and Design, Exeter, Great Britain

1987

   S  San Francisco Art Institute:  Visiting Artist

1985-1986

Art   Art Center College of Design, Pasadena, Ca.:  Instructor

1984              

Un   University of California, Santa Barbara:  Visiting Lecturer